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Hermann von Helmholtz looked into binocular colour fusion (and the effect referred to here as the "Sky Blue'
Observation) in his book "Treatise on Physiological Optics;
Volumes II & III". The relevant sections are in
the Optics Text file
(which should open in a new browser window). The following
page references are to this text.
- Binocular Colour Fusion References follow
immediately.
- 'Sky Blue' References
Page 505:- There is a description of fusing the
spectrum with a reverse copy of itself. The result is
supposed to be white. There is also a statement that the
reversals are complementary. A little thought will show
these statements to be incorrect.
First, when the spectrum is reversed, there
is a central colour that is the same in both images. This
will not be white when fused.
Second, colour fusion follows subtractive
colour mixing laws for the hue. The complementary colour
pairs that produce white (grey) when fused are red-green,
orange-blue and yellow-violet. Yellow and green are near
the middle of the spectrum while red and violet are at the ends.
They cannot overlap their complementaries.
Page 506:- An equivalent image to the one described by Helmholtz is here.

Page 507:- There may be confusion between binocular
colour fusion and paint mixing. Helmholtz states "And so
such an observer might possibly be betrayed into thinking that,
when he sees red and blue simultaneously, he really does see
violet or purple. But if the real compound colour made by the
two observed colours is exhibited, the difference between it and
the other will be very striking".
However, binocular fusion results in a
brightening of the colour while paint mixtures result in a
darkening; therefore they will never be the same. Since
Helmholtz was not aware of this difference in value changes, he
incorrectly concludes that binocular colour fusion is not a
valid colour mixing. A Bicovi image with the two violets
for comparison has been created here.
Helmholtz then arranges prisms of Iceland spar to allow red and blue coloured squares to visually overlap to produce a pink visible to either eye. The red and blue squares are then visually fused by binocular superposition. He states that the two results are not the same. Unfortunately for his powers of observation, the two colours cannot be the same. The pink is a result of additive colour mixing and binocular colour fusion follows subtractive laws.

Page 509:- Two images are described.


Page 512:- When black & white stereograms of differing value are binocularly combined, an impression of lustre is created.


Page 516:- According to Helmholtz, binocular fusion can result in an appearance of transparency.


Page 530:- A direct parallel to additive colour mixing is made for binocular colour fusion. Bicovi colour fusion actually follows subtractive mixing rules.
Volume III
Page 516:- In less than two pages, the 'Sky Blue' colours are
described as:
- Violet for the light-adapted eye
- Blue for the light-adapted eye and Orange-Yellow for the other
- Violet-Grey for the light-adapted eye and Yellow for the
other.
Volume II
Page 288:- An explanation is given for the colours being:
- Green for the light-adapted eye and Red for the other.
Helmholtz's records vary from Violet to Green for the
light-adapted eye, and Red to Yellow for the shaded eye.
Clearly, there is no consistency. Some of this
inconsistency may be a result of using the concept of
complementary colours as an overall organising principle
As noted in the 'Sky Blue Viewing' section,
there is data to support that the colours are Blue and Red.
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